This is a fiddly job, since the platter isn’t the thickest. The RPM 3 comes out of the box with the cartridge already fitted, so most of the initial setup involves fitting the platter and attaching the drive belt around the motor pulley and the platter. What you don’t get is a lid or record clamp, both of which are optional extras costing £60 and £30 respectively – not a huge amount in a world of crazily priced hi-fi accessories. Because of the plinth shape, it’s also more compact than you might expect – useful if you keep your turntable on a sideboard rather than a dedicated hi-fi rack. The fit, finish and styling is all top-notch. ![]() ![]() There’s a basic plastic spider supplied for fitting in the centre of 45s. Changing between 33 and 45rpm speeds is achieved by simply hooking a finger around the drive belt and moving it between the upper and lower motor pulleys – upper for 33rpm, lower for 45rpm. This means you’ll be able to fit your own choice of stereo interconnect cables to hook it up to your hi-fi, although Pro-Ject provides a pretty decent set of cables in the box.Īside from the lift on the tonearm, the only real control is the on/off switch on the motor unit. Replacement styluses are available for £75 each, which is handy if you’re a little clumsy or give your record players heavy use.Īs with most Pro-Ject decks, the tonearm cable on the RPM 3 connects directly down to a pair of RCA phono sockets and a ground terminal on the back underside. Pre-fitted to the arm and ready aligned is an Ortofon 2M Silver MM (moving magnet) cartridge, worth around £150. It looks wonderful: it’s glossy and beautifully kinked, with an integrated headshell, a magnetic anti-skate mechanism and a lift. With the exception of the 10-inch Jelco SA 750 E, S-arms are more traditionally 9-inch, with a few 12-inchers floating around for some of the more exotic record players that can take the longer arms.Įven more unusually for an S-shaped arm, this one is made from carbon-fibre – as are most of Pro-Ject’s tonearms. In this case it’s opted for something really rather unusual in the turntable world: a 10-inch, S-shaped tonearm. Pro-Ject, based in Vienna, isn’t a company that’s keen on sticking to a single template for tonearms, with a variety of lengths and shapes throughout its range. The plinth stands on three conical feet that end in sharp-ish points, and three small, indented metal plates are provided into which you set the feet. The RPM 3 is available in a choice of black, white or red for the plinth and the lower part of the sandwich platter. One end of the L serves as a mount for the tonearm, the other has a hole that helps to correctly position the freestanding motor unit the centre houses an inverted bearing with a ceramic ball, upon which the vinyl-topped platter sits. To anyone used to more traditional turntables, the RPM 3’s curvy L-shaped plinth will seem rather alien. Pro-Ject RPM 3 Carbon – Design and Features New DC power supply with ultra precision frequency DC-driven AC generator (like Speed Box) for ultimate speed stability.The RPM 3 is an evolution of Pro-Ject’s successful Genie belt-drive turntable series, which managed to combine affordable prices with the curvaceous styling more often seen on high-end models.ĭespite visual similarities to its forebears, though, this is a significant upgrade, with the notable additions of a de-coupled motor and a 10-inch, S-shaped tonearm. Precision belt drive with synchronous motor Increased platter size with more weight The DEBUT CARBON DC will be offered in high-gloss black or shiny red, green, blue, yellow, silver or white as no-added-cost option. The approved belt drive design offers low noise AC motor with effective motor decoupling (utilising TPE-damping) and ultra precision frequency DC-driven AC generator (like Speed Box) for ultimate speed stability without unwanted vibration. ![]() Together with other improvements like an increase in platter size and weight to realize even smoother rotation, the overall sound quality is greatly improved. This material normally is extensively used in high-end tonearms, but – because of cost reasons – was never used in products at lower price levels. The most obvious improvement is the inclusion of a CARBON TUBE for the tonearm, which increases stiffness and decreases unwanted resonance. The new DEBUT Carbon DC has been designed to set new standards in this category for the coming decade – perfectly timed as analogue today is again a respected source, while the demand for good turntables is growing again! For the first time after the arrival of Compact Disc and the sumed demise of vinyl records, an analogue product re-emerged in the “mass market” – something all music lovers could afford. The first Debut turntable, introduced in the late 1990s, was a revolution for the hi-fi industry.
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